Exhibitions


Voices from Exile
Sadiq Toma, Koutaiba Al Janabi, 
Yamam Nabeel, Samir Jamal Al Din

17 April - 23 May 2026

Voices from Exile brings together four Iraqi artists who have only known home from afar, but continued to live and create as the children of one of world’s oldest civilisation. This exhibition collects work made over a 30-year period, together exploring the alienation and nostalgia of exile through printmaking, photography and film.

Private View: Thursday 16 April, 6-9pm
Click here to RSVP

Tall residential apartment building in a cityscape with trees and parking lot in foreground.

Mass Collective
Iman Dagnoko, Takenya K. Holness,
Justine White, Mark Woulfe

27 May - 2 June 2026

The Mass Mentorship is an initiative established by Mass Collective to champion new voices from underrepresented backgrounds in architectural photography. Their programme aims to create a cultural shift in architectural photography, through which the authorship of the images we use to understand our cities fully reflects the diversity of the communities that live within them.

Full details coming soon

Close-up of a mosaic or image depicting two sleeping women, one with long straight hair and the other with short hair, on a red background.

Karolina Dworska
An Echo in the Fog

Autumn 2026

An Echo in the Fog is the working title of Karolina Dworska’s first solo exhibition. At its core is the triptych altarpiece, enveloped by an immersive soundscape. The work imagines an unfolding narrative set within the Carpathian forest, where quiet serenity gives way to an unsettling sense of desolation, marking humanity's arrival and disappearance.

Through inspecting nature, folklore and faith, the exhibition will explore belonging as something rooted in land, recasting it from a passive backdrop to human dominance to a force with its own agency, powerful psychic draw and a capricious temperament.

Full details coming soon

Line drawing of four nude women engaging in bathhouse activities. Two women carry baskets on their heads, one woman appears to be getting out of a tub, and another is sitting on a stool, holding a basket of towels.

Tomorrow’s Sorbet
Heidi Pearce and Andia Coral Newton

Autumn 2026

Tomorrow's Sorbet is a stage-set-style installation built around the use of denial as a flawed method of mental preservation. It exhibits a domestic interior where everything appears simple, pleasant, and colourful-yet it is all artifice with crumbling foundations. In this space, problems are postponed and rebranded with superficial optimism. The work fixates on the promise of a better "later," a delicious unattainable sorbet to distract us from what is going wrong in the moment.

Textile artists Heidi Pearce and Andia Coral Newton collaborate to create this no-where space, with Andia weaving the domestic architecture- all of which is flat, like a paper doll's house- and Heidi tailoring the unsettling mannequin-like figures who inhabit the space.

Full details coming soon

Colorful painting of several people in traditional and vintage clothing sitting at a table with dishes, a vintage telephone, and various pottery and fruits in the background.

Faisel Laibi Sahi
A Retrospective

Autumn 2026

Faisel Laibi Sahi was born in Iraq in 1945. He graduated from the Institute of Fine Arts in Baghdad, before completing his studies at the Academy of Fine Arts at the University of Baghdad in 1971.

In the following years he worked as an illustrator for a number of newspapers and magazines in Iraq, before moving to Paris, France in 1974. In France, he furthered his education at the École Nationale Supérieure des Beaux-Arts and at the Université de la Sorbonne in Paris.

This retrospective exhibition includes work spanning from his first solo exhibition in 1966 in his home town of Basra, to his latest work made in his current home of London, including large scale paintings, intimate ink drawings.

Full details coming soon

A person walking on a paved pathway towards large, modern concrete architectural structures that resemble stylized butterfly wings, set against a dark, cloudy sky.

Christian Houge
Echoes of Utopia

Winter 2026

Across the quiet, wind-shaped landscapes of the former Yugoslavia, concrete structures rise from the earth like relics from a vanished future, monuments born from the dreams of a country that no longer exists. These are the Spomeniks: abstract war memorials constructed between 1966 and 1990 to commemorate the antifascist resistance during the Second World War and to embody the ideals of a unified Yugoslavia.

Their monumental forms, futuristic, enigmatic, almost extraterrestrial, remain as silent witnesses to a political vision that has long since dissolved. In their isolation and gradual decay, they reveal the fragility of ideology, the passage of time, and the shifting ways societies remember their past.

Full details coming soon